| Titre : | The transparency of ambiances in architecture |
| Auteurs : | Evangélia Paxinou, Auteur |
| Type de document : | Document numérique |
| Date : | 2017 |
| Format / Caractéristique technique du document original : | 11 p. |
| Note générale : | Pour citer cet article : Evangelia Paxinou. The transparency of ambiances in architecture. Fani-Vavili Tsinika, Klino Axarli and Konstantinos Ioannidis (Editors). ICTA2016- Internation Conference on Architecture and Transparency - Emerging Complexities, Nov 2016, Thessaloniki, Greece. in Proceedings of the international Conference "Emerging Complexities - Transparency and architecture" 2017. |
| Langues: | Anglais |
| Index. décimale : | 160.2 (Ambiances : Entrée spatiale et architecturale des ambiances) |
| Mots-clés : |
Sujet Ambiance Design Espace public Identité culturelle Processus de conception Projet d'urbanisme |
| Résumé : | How ambiance is created in the frame of the architectural design process of public spaces? This paper shows that creating an ambiance is to design a dialectic relationship between the architectural elements that might constitute the back‐plan and the ones that assure the potential emergence of the events, expressing thereby several levels of transparency as the transparency of senses and the transparency of practices. Based on the analysis of the research corpus of 25 projects of public spaces, mainly from Greece and France and also from other European countries such as Sweden and Spain, emerge several types of ambiance that cross projects, countries and cultures: the actual ambiance that exists due to the climatic, geographic, architectural and social conditions of the place and those that are not even there but they are waiting to be activated (virtual) by the individual perception and sensibility of users. |
| Classe d'article : | Contribution dans des actes de congrès |
| Nature du document : | Article |
| Production Cresson : | Collaboration |
| Permalink : | http://doc.cresson.grenoble.archi.fr/index.php?lvl=notice_display&id=7798 |
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