| Titre : | Sound and space in renaissance Venice : architecture, music, acoustics |
| Auteurs : | Laura Moretti, Auteur ; Deborah Howard, Auteur |
| Type de document : | Ouvrage |
| Editeur : | New Haven [Conn.] : Yale University Press, 2009 |
| ISBN/ISSN/EAN : | 978-0-300-14874-9 |
| Format / Caractéristique technique du document original : | 1 vol. (XV-368 p.) / ill. en noir et en coul., plans, jaquette ill. en coul. / 25 cm |
| Index. décimale : | 162 (Espace sonore : Concevoir avec le sonore : architecture, espace, urbain) |
| Mots-clés : |
Sujet Acoustique appliquée Ambiance Architecture religieuse Eglise Environnement sonore Renaissance Salle de spectacleLieu Europe > Italie Europe > Italie > Vénétie > Venise |
| Résumé : |
While composers of sacred music in 16th-century Venice were devising increasingly complex choral polyphony, Venetian architects began to develop new configurations of sacred space. This book explores the direct relationship between architectural design and sacred music in Renaissance Venice. Deborah Howard and Laura Moretti combine historical research into the architectural and liturgical traditions of a dozen Venetian churches with the results of a parallel series of scientific surveys and live choral experiments of the acoustic properties of the chosen buildings.
Sommaire : San Marco Island monasteries Mendicant friaries Parish churches Ospedali Grandi |
| Nature du document : | Monographie/Brochure |
| Permalink : | http://doc.cresson.grenoble.archi.fr/index.php?lvl=notice_display&id=5093 |
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| Code-barres | Cote | Support | Localisation | Section | Disponibilité |
|---|---|---|---|---|---|
| Z02291 | 162 HOW | Livre | Bibliothèque Laboratoire Cresson | Espace sonore | Disponible |
